The Recognition Construction: Hyojyutsu (Against Application or Mimesis) (1975)

A member of the collective Video Hiroba, Morihiro Wada also used video in his solo projects. In The Recognition Construction, each subject entering the frame is identified by a narrator, while the video camera slowly rotates. As the rotation speeds up the identification becomes more difficult, and the objects ultimately become "indecipherable."

Director: Morihiro Wada
Runtime: 20 min
Release Date:
Production: Electronic Arts Intermix
Country: Japan
Original Language: ja

Keywords

japan

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Frequently Asked Questions

What is The Recognition Construction: Hyojyutsu (Against Application or Mimesis) about?
A member of the collective Video Hiroba, Morihiro Wada also used video in his solo projects. In The Recognition Construction, each subject entering the frame is identified by a narrator, while the video camera slowly rotates. As the rotation speeds up the identification becomes more difficult, and the objects ultimately become "indecipherable."
Who directed The Recognition Construction: Hyojyutsu (Against Application or Mimesis)?
The Recognition Construction: Hyojyutsu (Against Application or Mimesis) was directed by Morihiro Wada.
How long is The Recognition Construction: Hyojyutsu (Against Application or Mimesis)?
The Recognition Construction: Hyojyutsu (Against Application or Mimesis) has a runtime of 20m (20 minutes).
Where was The Recognition Construction: Hyojyutsu (Against Application or Mimesis) produced?
The Recognition Construction: Hyojyutsu (Against Application or Mimesis) was produced in Japan.